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In this update to After Effects, Adobe introduced two new effects called Key Cleaner and Advanced Spill Suppressor, which should alleviate many of the problems that people run into when pulling a key. Add to that the fact that cheaper cameras tend to heavily compress images, which makes the keying process and nightmare. First is the fact that lighting a green screen properly and lighting the subject for maximum separation is no easy task. Keying is often a difficult task for low-budget filmmakers for several different reasons. After Effects also received several new features in this most recent update, including two new effects which should make the keying process much faster and more accurate. Then we took a look at the new features in SpeedGrade 2014, including stronger linking with Premiere and a host of new usability features. First we took a look at Live Text Templates, which allow for complex text compositions from After Effects to be manipulated inside of Premiere. If that’s the case, you can always add in a bit of green in color correction to bring some of it back.ĭo you have any spill suppression tips? Let us know in the comments.Over the past two weeks, we've been sharing tutorials for the new features that were introduced in the recent major update to Adobe's Creative Cloud video applications. In some cases, it will alter your color significantly, especially if your footage has a green cast to it. However, I haven’t encountered one yet myself. There will, at some point, be an occasion when it won’t work. Then, you’ll set the Green-Red channel to 50, the Green-Blue channel to 50, and the Green-Green channel to 0.Īs with any spill suppression method, it’s not a complete guarantee. Then add the channel mixer effect on the top layer. On the top layer, set the transfer mode to darken. To use this method, duplicate your keyed footage layer. In other words, it pulls the green out, only to an extent that the red and blue channels are exactly as present - which allows you to still maintain a reasonable amount of green color. Under the hood, the process takes any values in the green color channel and limits them to an average of the red and blue channels’ values.
After effects keylight plugin skin#
In the above example, you can see that the skin tones remain a nice, normal skin color, the green-ish tones of the rest of the scene are mostly still there, and everything has remained very natural-looking. It’s my favorite way of removing spill while still retaining great skin tones and not affecting as much of the color data in the rest of your scene. In my opinion, this approach is the holy grail of spill suppression. Referenced at 4:06 in Part 2 of Daniel’s Video. There is only one method that, in my opinion, almost always works. When removing spill, sometimes you have to try out every tool you have. In some cases, it’s the perfect choice, and in some others it’s not. It sometimes turns skin a dull-gray color or adds strange noise to the footage. In this case, it was a great tool for the job however, I’ve seen it do some very strange things to skin tones. The effect is automatically set to chroma-key green, so if you have a blue key (or any other color), you’ll need to dive deeper into the settings. In the above example, I dragged the effect onto my keyed clip, and it did all of the work for me. Referenced at beginning of Part 1 of Daniel’s Video.Īfter Effects comes with an extremely useful effect called Advanced Spill Suppressor that, in many cases, will remove spill very effectively. This may work in some cases, but there are better alternatives. You can see what the keylight spill suppression is doing by changing the selection in the view dropdown from final result to corrected source.Īs you can tell in the above example, it does remove the green spill, but it turns it to a nasty, deep brown. The built-in keylight plugin in After Effects is very effective - it also defaults to built-in spill suppression once you select your key color. Referenced at 4:39 in Part 1 of Daniel’s Video. So, if someone handed us this shot, how would we take care of that nasty spill? Keylight’s Built-In Spill Suppression A quick fix on set is to just turn down the brightness, but - as we all know - we don’t always have this kind of control on set. In this case, the brightness of the screen itself is causing the spill. Here is an extreme example of an effects shot with a pretty ridiculous amount of green spill.